Design

Despite planning a print-run, my main focus was for a digital product, so most of the design decisions revolved around that. My first decision was to have a single column of text. A double column of text is great for a physical book but on a screen I find I can’t fit the whole height of the page at a comfortable reading size. Which means I’m constantly scrolling down a little to read the end of a column then up again to read the top of the next column. There are no shortcut keys available for that and it hinders my attention.

That first choice informed a lot of the remaining decisions and, eventually, had a big impact on the writing. It meant the book had to be small scale as a line length beyond around 50em (60–70-ish characters) is hard to follow. I’m also so over massive weighty RPG tomes (but that’s another article) and a huge fan of Blades in the Dark and its ilk. I love the smaller scale books that Evil Hat produces and I wanted something of a similar scale. In Europe, that would be A5 rather than the 6” by 9” that Evil Hat uses.

The digital version had to be easy to navigate. Chapter headings must be bookmarks so the PDF viewer can display them. The table of contents must be a clickable (or tappable) link to the relevant section. These seem like minimum requirements but I have a number of RPGs in PDF format from large, well-known companies which don’t have this. It makes the PDF frustrating to use and means, if I’ve only bought a PDF of your game, I probably won’t play it.

Following on from this, if the text mentions a page number for more information, e.g. Resolve (pg. 21), that text should look different and link to the correct section in the digital version. It doesn’t need to look different in the print copy, just having the page number in place is enough. The page number in the corner of the page must match the page number the PDF viewer is on. If I use a shortcut key to go to page 15 of the PDF that should be page 15 of the book which (obviously) should be the same as page 15 in the print version.

There are some other small stylistic differences between the print and digital version of the book. The print version has page numbers in the bottom outer corners of the book spread and has the name of the game in the top left and the chapter title in the top right. So the facing pages have a different header and footer, just like in 90% of every book ever printed. On a screen there’s no real concept of a page spread, just a continuous page scroll (though your PDF viewing software can probably display as a spread if you want). In the digital version the page numbers always appear in the bottom right corner and the top right corner always has the chapter name.

Technology

So the digital and print versions are different, with some additional constraints specified by the printers. Managing two different versions of a book quickly becomes a writing and editing nightmare, especially for a team of one. So how is this handled? By writing everything in Markdown and having a build process to generate the print and digital version of the PDF, along with an EPUB version.

Markdown is a simple syntax for formatting text. It allows for simple lists, headings, quoted text and the like, and is easy to convert to HTML. You can also embed HTML directly into the page which makes it quite flexible. Once converted to HTML you can use CSS (Cascading Style Sheets) to manage the look of the page. HTML and CSS are the backbone of the web and are used to display every website you’ve ever visited. They’re also used to format EPUB books, so converting everything to HTML is a great first step.

Once everything is in HTML and CSS I use Prince XML to convert to PDF. Prince supports all of the CSS 3 page layout functionality (with some extensions) so can generate page numbering, internal links within the PDF, and manage the headers and footers of each page. It’s not cheap and there are free alternatives out there now but when I was creating the book nothing came close to Prince’s functionality.

The build process is created using Metalsmith which is a pluggable file processor. At its most basic all it does is copy files from one directory to another but it gives you methods for manipulating the files as they’re copied. It supports YAML headers in the Markdown files so you can store data along with text. For example, this is the YAML header for the introduction chapter:

---
title: Introduction
collection:
  - chapters
  - quickstart
sort: 0
---

There’s a lot of potential here, which I’ll dive deeper into in another article, but I’ve set up rules which warn me if anything is missing a title and I can reference things by their collection rather than repeating the content. Beyond this, the main thing Metalsmith does is convert everything to HTML then run Prince and the EPUB generator over the output. This results in a print PDF, a digital PDF, the print cover, and the EPUB version being created all at once from the same source content.

Pros and Cons

The main pro to all of this is there’s no repetition of content. If I fix a typo it’s fixed in all three versions of the book and it’s built at the touch of a button (well, Command+B) in about 3–4 seconds. I also briefly touched on referencing, which has an impact on rules consistency. For example, if I change the damage of a weapon, I only need to change that in one place and everything else, including adversaries using that weapon, automatically pick up the change.

The main con is it’s not a visual process. It’s fine when you’re setting up your basic layout as I can picture that fairly easy — I use this stuff daily so it’s become second nature. Eventually with an RPG book you end up editing for layout and that’s where it becomes difficult. You can easily see in the PDF that you need to remove 20-ish words from a section to remove an orphan word creeping onto another page but you can’t see that when you edit. You have to edit then build again to see the result. So what would be a seamless editing process with Scribus becomes a slightly disconnected iterative process.

I do have rules in place to prevent this — orphans and widows are both set to 2, so Prince will never allow 2 words at the end of a line or 2 lines to go onto the next page and having a single column helps — but these things frequently need human judgement so can’t (currently) be fully automated.

Overall I would say it’s worth it. Editing for layout took longer than it should have but the amount of time saved in other areas is immense. I’d probably still be formatting the print version and struggling to fix typos across multiple editions if I’d gone with a manual process.

I had two playtesters with me for around two hours. We went through city creation and several turns of the city management rules. This section of the game is much closer to a board game in approach than a traditional RPG and focusses heavily on resource management and usage.

It was quite stressful initially but, ultimately, worthwhile. I’m comfortable running RPGs for complete strangers but, when it’s your own game, it feels that much more personal and the stakes feel higher. The players picked up the rules quickly, enjoyed messing around with their burgeoning trade empire, found a few holes in the rules, and offered plenty of feedback. I have a lot of notes which I need to go through before I write up the full rules and complete this section of the game.

Many thanks go to the volunteers working for Playtest UK who talked to me about Aegean and found playtesters. They’re really focussed on board or card games so having an RPG there was unusual for them, but they handled it brilliantly.

I created a lot of maps and coats of arms to go with the campaign, which I’m making available for download. Hopefully they’ll be useful to other GMs.

• Pendragon Maps and Coats of Arms (125.1MB)
• View files on Google Drive

The maps are all of Britain and start from 488 through to 517. The coats of arms are a mix of characters from legends, the Great Pendragon Campaign (including some characters who aren’t given devices in the GPC) and my own campaign.

A few liberties were taken when I couldn’t find the exact device for a shield or to make something fit my own campaign. The following coats of arms are available:

• Countess Ellen of Salisbury
• King Arthur
• King Uther
• Counties:
  • Beale Valet
  • Clarence
  • Devon
  • Dorset
  • Herford
  • Lonazep
  • Lyndsey
  • Rydychan
  • Salisbury
  • Silchester
  • Somerset
  • Southports
  • Wuerensis
• de Galis:
  • Aglovale
  • Lamorak
  • Pellinore
  • Percivale
  • Tor
• de Ganis:
  • Blamore
  • Bleoberis
  • Bors
  • Ector de Maris
  • Lancelot du Lac
  • Lionel
• Famous:
  • Balan
  • Balin
  • Bedivere
  • Cador
  • Carados
  • Dinadan
  • Galahad
  • Gorlois
  • Griflet
  • Jordans of Cornwall
  • Kay
  • Palomides
  • Sagremor
  • Tristram
  • Turquine
  • Ulfius
• Kingdoms:
  • Cameliard
  • Cornwall
  • Escavalon
  • Estregales
  • Gorre
  • Lothian
  • Malahaut
  • Norgales
  • Sugales
• Orkney:
  • Agravaine
  • Gaheris
  • Gareth
  • Gawaine
  • Mordred
• 28 coats of arms from my own campaign

I want to have a somewhat realistic planetary model with semi-authentic gravity which gets messed up by the monster and the disappearing planets. That might be a bit complicated so I’ll see what that involves first.

I’m working on completing a new album in a similar alternative rock / folk / electro style, with demo releases similar to this one every few weeks. So have a listen and expect to hear more soon!

There are twenty levels in total and you can play it here:

Mixle

There’s a colour chain of e.g. red -> green -> blue, which informs how the blocks change colour.

There’s an indicator showing what shape you need to create.

The game gets harder by:

1. Introducing more blocks
2. Introducing more colours
3. Removing the colour from the target indicator

And as a bonus, here’s Escape from Plan 9.

I’ve made my vote for the final round and as usual I’m not overly inspired by the options. I’ll see what gets picked as some ideas will likely flow from that. Here’s my vote:

I’m pleased with the way it’s turned out (although I have just discovered a very minor, albeit funny, bug, aaargh!), especially the graphics. They’re not my strong suit, I’m much better at programming and music, but these have turned out OK.

Play Trollhammer!

Or take a look at the Ludum Dare contest page.

And a very rough idle animation:

Screen grab of the game so far:

The big green square is Troll. The small white rectangles are humans.

1. Troll runs along with his / her club
2. Houses appear in the distance
3. As the troll gets closer villagers run from the houses
4. Game speeds up
5. Troll can smash the houses (some points)
6. Some of the villagers fall behind
7. Troll can reach and hit the stragglers (yay, lots of points!)
   • Or jump on them
   • Jump causes the ground to shake and the villagers to slow down
8. Eventually a chasm appears:
   • All the remaining villagers fall in (boo, very few points)
   • Troll has to jump the chasm or die
9. Repeat

Stage Two

After a few repetitions some villagers are armed with pitchforks!

• Some armed villagers come after Troll, others run away
• Troll can’t jump on them they hurt his / her feet!
• Troll has to jump over them

Stage Three

After a few repetitions the terrain becomes uneven!

• Troll can trip over
• If Troll trips the villagers swarm and kill him

This may be tricky due to the animation involved.

Stage Four

After a few repetitions a castle wall appears with a catapult behind it!

• Troll must jump the castle wall
• Troll can smash (by jumping or with club) the catapult
• The catapult fires at Troll
• Troll can jump over the missiles or block with club

Rinse. Repeat. Etc.

I liked the rampaging bit but having a character rebuild itself is going to get complicated quickly and over-complexity is why I didn’t finish last time. So I stripped it back and I’m doing an endless runner style where the player takes on the role of a troll and has to chase and smash villagers. I’m calling it Trollhammer.

No, this isn’t because I’ve been listening to too much Finntroll.

Nothing in there particularly inspires me but I guess I’ll see what comes to mind at 2am.

I thoroughly enjoyed this one. It helps that it’s a rather short novella, at just 127 pages, but I was well into the latter half of it before I thought to check whether I’d passed the first 50 pages. The writing was solid, and the dialogue fit the characters as well as their world, which I’ve found is often a challenge in self-published fantasy. The pacing was just about perfect, which makes sense given that it was originally published as 5 short stories, although the format does make for some abrupt scene breaks that were a bit jarring in places. Overall, I thought the world building was exceptionally strong for the length of the tale, especially since Goff accomplishes it without info dumping on the reader.